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Drawing on her experience of growing up in the Greek diaspora, Eugenia Raskopoulos' work 're-ma(r)king' reflects on how cultural knowledge is transferred across contexts and between generations through objects, rituals and stories. 're-ma(r)king' is focused on two items that belonged to the artist's grandmother, which she animates through performance. On one screen, we see Raskopoulos unraveling a woven doily then winding this into a ball of thread, restoring the crafted object to its material origins. In the other, we see her dripping olive oil onto a concrete floor, then spreading it with a rolling pin as though preparing pastry. These actions invoke the power of mnemonic triggers to bring the past into the present. A portrait of the artist can be glimpsed in the reflective surface of the oil, partial and provisional, like memory itself.
Drawing on her experience of growing up in the Greek diaspora, Eugenia Raskopoulos' work 're-ma(r)king' reflects on how cultural knowledge is transferred across contexts and between generations through objects, rituals and stories. 're-ma(r)king' is focused on two items that belonged to the artist's grandmother, which she animates through performance. On one screen, we see Raskopoulos unraveling a woven doily then winding this into a ball of thread, restoring the crafted object to its material origins. In the other, we see her dripping olive oil onto a concrete floor, then spreading it with a rolling pin as though preparing pastry. These actions invoke the power of mnemonic triggers to bring the past into the present. A portrait of the artist can be glimpsed in the reflective surface of the oil, partial and provisional, like memory itself.
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